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About |
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| About
Karen Jones |
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About
Karen Jones |
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| It all began with a humble dandelion
seed head in April '03. I had seen an exhibition of photographic art
by my neighbour Jan Barnes at the local doctor's surgery in Llanrug.
The title 'Transitions' made me think of our own mortality. I knew
Jan was fighting hard against cancer. One of her photos was a gorgeous,
delicate close-up of a dandelion clock, signifying time. |
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| I picked my own dandelion in the
garden and made a pencil sketch to show Jan. She sadly lost her fight
with cancer, dying peacefully some months later, but before she left
we had many interesting conversations about art. One of the last things
she told me was 'Keep going - don't stop". |
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| I experimented and devoted days and
entire weeks to trying different media. Eventually I came up with
an unusual formula - art in glass and enamel. I got very excited as
I realized I could cut and shape the glass and enamel to the mountains
and cottages of my homeland. |
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| It came as a revelation! Now I knew
I could express my deep nostalgia for the old 'Rural Wales' which
runs in my blood from generations of farming ancestors on my mother's
side. I was thrilled to realize I now had a real connection my local
landscape and could express my love for it in it's beauty and majesty. |
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| I particularly love the way in which
the small stone cottages and big strong field-stone walls weave themselves
into the landscape to give Wales it's unique quality; they form the
vital threads of community and reduce the vastness of the landscape
to an intimate lacy weave. I even love the telegraph poles with their
great big brown insulators. They have become part of that system of
threads, as wire itself looks precariously loose as it dips between
them, brilliant! |
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| The 'Fens Crawia' - to be seen particularly
in this area of North Wales - is another favourite. Waste pieces of
slate from the quarries 'Crawia' - were, quite literally, woven into
the landscape with wiran lefn. I now cut these fences, but in glass
and use a special thread to depict the retaining wire. |
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| I'm very lucky to have been born
into such a lovely place as Caernarfonshire and to have the delight
of mountains and sea so close together. I try to observe the way that
the light affects both, and how the colours change with weather and
season. |
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| I love the drama of a colourful sunset
and the pure hopeful light of dawn. I am drawn to paint the reflections
of mountains in lake or sea. I try to lift people's spirits and make
them smile inwardly by giving paintings warmth. Sometimes i use kitchen
stuff, such as spaghetti or peppercorns (Brilliant for those telegraph
poles and their insulators): an element of humour is important to
us all. |
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| Sometimes in a very beautiful landscape
I think there exists a remarkable balance of nature. On deeper reflection,
when this is acknowledged, surely the only explanation of this mystery
is that there must be a greater power than ourselves, a divine creator. |
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| I see or sense this power through
the beauty and balance of natural and in my paintings, I try to reflect
that God has left his fingerprints all over my Snowdonia and all over
my Wales. |
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| I hope that you enjoy my paintings. |
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Go
to paintings page |